Korg KRONOS 3 Music Workstation Synthesizer

Korg

Korg KRONOS 3 Music Workstation Synthesizer

Flagship workstation with nine synthesis engines, 8-inch touchscreen and 120 GB SSD

KORG-KRONOS3-61

Rs. 312,798.00 Rs. 340,000.00

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Overview

KRONOS 3 is Korg's flagship workstation: nine separate synthesis engines in one instrument, from the SGX-2 premium piano and EP-1 electric pianos to the CX-3 tonewheel organ, MS-20EX and PolysixEX analog models, the MOD-7 VPM engine and the STR-1 physically modelled strings.

Large samples stream straight from the internal 120 GB SSD, and the 8-inch TouchView screen, vector joystick, ribbon and front-panel sliders put it all within reach on stage. Set Lists with Smooth Sound Transition let you change sounds mid-song without cutting notes, and the 16-track MIDI sequencer plus 16-track audio recorder, open sampling and KARMA make it a full production studio. Available with 61 semi-weighted, 73 or 88 RH3 weighted hammer-action keys.

Who it's for

Touring and session keyboard players who need pianos, organs, synths and orchestral sounds in one board.
Producers and composers who want a complete sampling and sequencing workstation.
Worship and live-band players who rely on seamless sound changes with Set Lists.

Features

Nine synthesis engines: SGX-2, EP-1, HD-1, AL-1, CX-3, STR-1, MOD-7, MS-20EX, PolysixEX
SGX-2 premium piano streamed from SSD with up to 12 velocity levels
8-inch colour TouchView display
Set Lists with Smooth Sound Transition (SST)
KARMA real-time phrase generation and drum track
16-track MIDI sequencer plus 16-track audio recorder
Open Sampling System with approx. 3 GB PCM RAM
Vector joystick, ribbon, 9 sliders and 8 knobs

Key specs

SystemKRONOS System Version 3.2

Keyboard88: RH3 (Real Weighted Hammer Action 3)*; 73: RH3 (Real Weighted Hammer Action 3)*; 61: Natural Touch Semi Weighted*

Keyboard note*Supports Velocity sensitive and aftertouch.

Synthesis Types9

SGX-2Premium Piano (Acoustic Piano)

EP-1MDS Electric Piano (Electric Piano)

HD-1High Definition Synthesizer (PCM)

AL-1Analog Synthesizer (Analog Modeling)

CX-3Tonewheel Organ (Tonewheel Organ Modeling)

STR-1Plucked Strings (Physical Modeling)

MOD-7Waveshaping VPM Synthesizer (VPM Synthesis)

MS-20EXComponent Modeling Technology (Analog Modeling)

PolysixEXComponent Modeling Technology (CMT Analog Modeling)

Maximum Polyphony*1*2 SGX-2100 voices*3

Maximum Polyphony EP-1104 voices

Maximum Polyphony HD-1140 voices

Maximum Polyphony AL-180 voices

Maximum Polyphony CX-3200 voices

Maximum Polyphony STR-140 voices

Maximum Polyphony MOD-752 voices

Maximum Polyphony MS-20EX40 voices

Maximum Polyphony PolysixEX180 voices

Polyphony note *1In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced.

Polyphony note *2A portion of the multicore processor in KRONOS is devoted to generating voices, and a separate portion is devoted to generating effects. KRONOS dynamically allocates the voice processing power between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice processing power is devoted to a single engine.

Polyphony note *3100 dual-stereo notes (equivalent to 400 mono voices)

Preset PCM314 MB (ROM 1,505 Multisamples, 1,388 Drumsamples)

Build-in Expansion PCM LibrariesEXs1 - ROM Expansion, EXs2 - Concert Grand Piano, EXs3 - Brass & Woodwinds, EXs4 - Vintage Keyboards, EXs5 - ROM Expansion 2, EXs6 - German D Piano, EXs7 - Japanese C Piano, EXs8 - Rock Ambience Drums, EXs9 - Jazz Ambience Drums, EXs17 – SGX-2 Berlin D Piano, EXs18 – KORG EXs Collections, EXs22 - SGX-2 Italian F Piano LE, EXs23 - 2 Church Pianos, EXs206 - A2D 10 Selections, EXs207 - Bolder 10 Selections, EXs208 - K-Sounds 10 Selections, EXs209 - KApro 10 Selections, EXs210 - KARO 10 Selections, EXs211 - Kelfar 10 Selections, EXs212 - Kid Nepro 10 Selections, EXs213 - PCreek 10 Selections Vol.1, EXs214 - PCreek 10 Selections Vol.2, EXs215 - Q Up Arts 10 Selections, EXs216 - Soundiron 10 Selections, EXs217 - SOP 10 Selections, EXs218 - Irish Acts 10 Selections

PCM RAM CapacityApprox. 3GB *4

PCM RAM note *4The memory available for Sampling Mode will change based on the use of Expansion PCM libraries and User Sample Banks. Approx. 760 MB is available when shipped from the factory (When loading the file named “PRELOAD.KSC”).

Wave Sequences598 User memory, 207 Preload. Support for stereo multisamples, synchronization of individual notes, and tempo-based settings.

SGX-2 Premium PianoVirtual Memory Technology (VMT) plays large samples directly from the internal SSD. Full key stereo sampling, Chromatically sampled at up to 12 velocity levels, no looping. Damper resonance and mechanical noise are reproduced. Modeled String Resonance. Una Corda sample support

SGX-2 PCMEXs6: SGX-1 German D Piano; EXs7: SGX-1 Japanese C Piano; EXs12: SGX-1 Austrian D Piano (Option Sound libraries) – 8 velocity levels, no Una Corda samples; EXs17: Berlin D Piano – 12 velocity levels, includes Una Corda samples; EXs21: SGX-2 Italian F Piano (Option Sound libraries) – 12 velocity levels, includes Una Corda samples; EXs22: SGX-2 Italian F Piano LE – 12 velocity levels, no Una Corda samples

SGX-2 Piano Type80 (With the factory settings, the 16 varieties of EXs12 SGX-1 Austrian D Piano do not produce sound. The EXs12 option must be downloaded.) (The 16 types of EXs21 SGX-2 Italian F Piano are the same piano types as the 16 types of EXs22 SGX-2 Italian F Piano LE and refer to the last installation of either EXs21 or EXs22.)

SGX-2 Oscillator ControlDamper Resonance, Damper Noise, Mechanical Noise, Note Release, String Resonance, Una Corda

EP-1 MDS Electric PianoTine and reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS), and vintage effects.

EP-1 Electric Piano Model Types7 (Tine EP I Early, Tine EP I Late, Tine EP II, Tine EP V, Tine EP DMP, Reed EP 200, Reed EP 200A)

EP-1 Oscillator ControlHarmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width

EP-1 Panel Control Tine TypePreamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5

EP-1 Panel Control Reed TypePreamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5

EP-1 Effect Types9 (Small Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah)

HD-1 Advanced Vector SynthesisControl oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.

HD-1 StructureSingle: only OSC1; Double: OSC1 and OSC2. Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc.; Drums: One drum kit, Double Drums: Two drum kits.

HD-1 OscillatorsVirtual Memory Technology (VMT) plays large samples directly from the internal SSD. 8 velocity zones per oscillator, with switching, crossfades and layering. Each zone can play mono or stereo Multisamples or Wave Sequences

HD-1 FiltersTwo multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject), Four-mode filter routings (single, serial, parallel and 24dB mode)

HD-1 DriverPer voice non-linear driver and low boost circuit

HD-1 EQThree bands, with sweep-able mid

HD-1 ModulationThree envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers

EXi Program Common Advanced Vector SynthesisControl oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.

EXi Program Common ModulationCommon Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking Generators

EXi Program Common EQThree bands, with sweep-able mid

AL-1 OscillatorsUltra-low-aliasing oscillators. OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync

AL-1 Audio InputExternal audio can be processed through the ring modulator, filter, driver, amp, and EQ

AL-1 FiltersTwo multi-mode filters (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode), Multi Filter mode (only Filter-A; modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)

AL-1 DriverPer-voice non-linear driver and low boost circuit

AL-1 ModulationFive Envelope generators, four per-voice LFOs, two AMS Mixers; Per-voice Step Sequencer.

CX-3 Tonewheel Organ ModelingPhase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake

CX-3 EX ModeFour additional, user-specified drawbars, and expanded percussion.

CX-3 Internal EffectsRotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ

CX-3 Drawbar ControlControlled via nine front-panel sliders (via Tone Adjust)

CX-3 SplitUpper, Lower (even in EX mode)

CX-3 ModulationTwo AMS mixers

STR-1 Physically Modeled StringIncludes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more. Most string parameters can be controlled in realtime.

STR-1 String ExcitationThree independent excitation sources can be used simultaneously: Pluck, Noise, and PCM. 16 preset “pluck” types, with modulatable width and randomization. Noise generator with saturation and dedicated low pass filter

STR-1 PCM OscillatorKORG’s ultra-low-aliasing technology, as introduced in the HD-1; 4 velocity zones per oscillator; Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory.

STR-1 Excitation FilterDedicated 2-pole multimode filter for shaping the string excitation. Filter can be enabled/disabled separately for each excitation source. Low Pass, High Pass, Band Pass, and Band Reject modes

STR-1 Audio Input and FeedbackRun real-time audio through the string, including feedback through effects. Modeled feedback includes modulate-able instrument-to-amp distance and orientation.

STR-1 FiltersDual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, Band Pass, and Band Reject modes. Multi Filter Mode (Filter A only). Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects

STR-1 Modulation5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers.

MOD-7 Waveshaping VPM SynthesizerCombines Variable Phase Modulation (VPM), Waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files.

MOD-7 Oscillators6 VPM/Waveshaper/Ring Modulation Oscillators: Phase and modulatable pitch per oscillator. 101 Waveshaper tables plus modulatable Drive and Offset. Use as oscillators, or as Waveshapers or Ring Modulators for other signals.

MOD-7 PCM OscillatorKORG’s ultra-low-aliasing technology, as introduced in the HD-1. 4 velocity zones per oscillator. Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory.

MOD-7 Audio inputRun real-time audio through the VPM Oscillators and filters.

MOD-7 FiltersDual multi-mode filters per voice. (Low Pass, High Pass, Band Pass, and Band Reject modes) Two types of filter looping (Parallel and 24 dB “4-Pole”) Multi Filter mode (Filter A only): Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects

MOD-7 Patch PanelSupports both preset algorithm (78 types) selection and free patching. Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion. Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion

MOD-7 Modulation10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers.

MS-20EX OscillatorsUltra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator

MS-20EX Audio InputRun real-time audio through the synthesis engine and ESP (External Signal Processor)

MS-20EX Filters12dB/octave High Pass and Low Pass self-resonant filters. ESP section: 24dB/octave Low Cut and High Cut filters, available per voice.

MS-20EX Patch PanelPatchable audio and modulation, at audio rates

MS-20EX Patch Points KeyboardKeyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In

MS-20EX Patch Points VCOVCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out

MS-20EX Patch Points VCFExternal Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out

MS-20EX Patch Points VCO+VCFTotal External Modulation In

MS-20EX Patch Points VCAExternal Initial Gain Control In, VCA In

MS-20EX Patch Points EGEG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out

MS-20EX Patch Points MGTriangle Out, Rectangle Out

MS-20EX Patch Points Noise GeneratorPink Noise Out, White Noise Out

MS-20EX Patch Points Sample and HoldClock Trigger In, Sample Signal In, S/H Out

MS-20EX Patch Points Modulation VCAControl Voltage In, Signal In, Signal Out

MS-20EX Patch Points Manual ControllerControl Wheel Out, Momentary Switch

MS-20EX Patch Points ESPSignal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out

MS-20EX Patch Points OthersEXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out

MS-20EX ESP (External Signal Processor)Use incoming audio as a trigger and/or CV source.

MS-20EX ModulationOriginal DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 &2, Original MG (with MIDI sync), Sample-and- Hold, MVCA, KRONOS: 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers.

PolysixEX Oscillators VCOSaw, Pulse, PWM

PolysixEX Oscillators Sub OscillatorOff, 1 octave below, 2 octaves below

PolysixEX Filter24dB (4-Pole) Octave Low Pass self-resonant filter

PolysixEX EffectsIntegrated Polysix Chorus, Phaser, and Ensemble

PolysixEX ArpeggiatorIntegrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch

PolysixEX ModulationPolysix: Original ADSR EG and MG (with MIDI sync). KRONOS: 2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers.

Combination Number of Timbres, Master Keyboard Functionality16 Maximum. Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI Devices. The tone adjust parameter function lets you modify program settings, and the master keyboard function lets you control external MIDI devices

Combination Advanced Vector SynthesisControl oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.

Drumkit SystemAssignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions)

User Memory Programs2,560 (2,176 [1,152 HD-1+1,024 EXi] come preloaded)

User Memory Combinations1,792 (768 come preloaded)

User Memory Drum Kits264 (80 come preloaded)

GM256 GM Level2 preset programs + 9 GM Level 2 drum preset programs

Number of Set Lists/Slots128 set lists, 128 slots per set list. Each set list provides a 9-band graphic EQ, and a Tone Adjust function that allows program settings to be adjusted. Transpose setting. Hold Time setting of Smooth Sound Transition (SST) supported for each slot.

Sampling SystemOpen Sampling System (resampling, In-Track sampling)

Sampling Bit Depth/Sampling FrequencyRAM: 16-bit/48 kHz stereo/mono sampling; DISK: 16 or 24-bit/48 kHz

Sampling TimeRAM: Depends on the amount of available PCM RAM; DISK: Maximum 80 minutes stereo (879MB: 16bit)

Sample Locations16,000 samples/4,000 multisamples (128 indexes per multisample)

RippingDirect sampling (ripping) from audio CD (CD-DA)

Sampling FormatsKORG format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats

Sampling EditingTime Stretch, Time Slice, Crossfade Loop, and other standard editing features.

Insert Effects12, Stereo in / stereo out

Master Effects2, Stereo in / stereo out

Total Effects2, Stereo in / stereo out

Timbre EQOne 3-band EQ for each timbre/track

Effect Types197

Effects ModulationDynamic Modulation and Common LFO

Effects Control BussesStereo side-chaining for compressors, gates, vocoders, etc.

Effect PresetsTotal 783 preset, Maximum 32 per 1 effect (Preset User)

KARMA ModulesOne module in Program mode, four modules in Combination and Sequencer modes

KARMA Generated Effects (GE)2,048 presets, 1,536 Users (96 come Preload)

KARMA ControllersOn/Off, Latch, Chord, Assign, Module, Control, KARMA Realtime Control Sliders [1] – [8], KARMA Scenes [1] – [8], KARMA Switches [1] – [8], KARMA Wave-Sequencing, GE Sub Category, Freeze Randomize, Time Signature Control, Tempo Synchronize, Auto RTC (Real Time Control) setup

Drum Track Patterns718 preset (common with the preset patterns of the MIDI sequencer), 1,000 user patterns. Patterns created in Sequencer mode can be converted to drum track user patterns. Trigger Mode/Sync/Zone settings can be specified.

Sequencer/HDR Tracks16-track MIDI sequencer + 16-track hard disk recorder + 1 master track.

Number of Songs200 songs

Sequencer Resolution1/480

Tempo40.00 – 300.00 (1/100 BPM resolution)

Sequencer Maximum Memory400,000 MIDI events or 300,000 audio events

MIDI Tracks16 tracks plus the master track; 718 preset/100 user patterns (per song); 18 preset/16 user template songs

Audio Tracks16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit.

Sequencer Other FunctionsRPPR (Realtime Pattern Play and Record) (1 Pattern set per song), Auto Song Setup function

Disk ModeLoad, save, utility, audio CD burning, audio CD playback, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1.

ControllersVector joystick, joystick, ribbon controller, switches 1 & 2

Control Surface Control Assign SwitchesAssigns the Control Surface to Timber/Track, Audio, External, Realtime Knobs/KARMA, Tone Adjust/EQ

Control Surface Mixer Knobs SwitchAssigns the Mixer Knobs to either Channel Strip or Individual Pan, Reset Control Switch, Solo Switch, Knobs 1-8, Switches 1-8(Upper Row), Switches 1-8 (Lower Row), Sliders 1-8, Master Slider

KARMA ControlOn/Off, Latch, Module Control

DRUM TRACKOn/Off

DisplayTouchView graphical user interface, 8 inch color TFT, SVGA (800x600 dots), adjustable brightness

Analog Output (MAIN) L/MONO, R1/4” TRS Balanced Output Impedance: 350 Ω Stereo; 175 Ω Mono (L/MONO Only), Nominal Level: +4.0 dBu, Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater). MAIN VOLUME knob controls only AUDIO OUTPUT (MAIN) L/MONO and R

Analog Output Individual 1-41/4” TRS Balanced, Output Impedance: 350 Ω Stereo; 175 Ω Mono, Nominal Level: +4.0 dBu, Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)

Headphones1/4” stereo phone jack, Output impedance: 33 Ω, Maximum Level: 60+60 mW (when load impedance is 33 Ω), MAIN VOLUME knob (link with AUDIO OUTPUT (MAIN))

Digital Output S/P DIFOptical, 24-bit, IEC60958, EIAJCP-1201, Sample Rate: 48 kHz, (the same signals as L/MONO, R). Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R

Digital Output USB-B24-bit, Sample Rate: 48 kHz, 2 channels (Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R)

Analog Audio Inputs 1 and 21/4” TRS Balanced, MIC/LINE input level switches, LEVEL knobs

Audio Inputs Input Impedance10 kΩ

Audio Inputs Nominal Level LINE+4 dBu (LEVEL knob = min), –36 dBu (LEVEL knob = max)

Audio Inputs Nominal Level MIC–22 dBu (LEVEL knob = min), –62 dBu (LEVEL knob = max)

Audio Inputs Maximum Level LINE+16 dBu (LEVEL knob = min), –24 dBu (LEVEL knob = max)

Audio Inputs Maximum Level MIC-10 dBu (LEVEL knob = min), –50 dBu (LEVEL knob = max)

Audio Inputs Source Impedance600 Ω

Audio Inputs Signal to noise ratio95 dB (typical)

Audio Inputs Dynamic range95 dB (typical)

Audio Inputs Crosstalk95 dB, at 1 kHz (typical)

Digital Input S/P DIFOptical, 24-bit, IEC60958, EIAJCP-1201, Sample Rate: 48 kHz

Digital Input USB-B24-bit, Sample Rate: 48 kHz, 2 channels

Control InputsDamper pedal (half damper supported), assignable switch, assignable pedal

MIDIIn, Out, Thru

USB*5USB A (TYPE A) x 2, For connection to external USB devices (QWERTY keyboards, MIDI controllers, ethernet adaptors, and storage); USB B (TYPE B) x 1, MIDI/audio interface; MIDI: 1 (16 channel) input / 1 (16 channel) output; Audio: 2 channel input / 2 channel output

USB note *5USB high-speed ports (supports 480Mbps)

Disk Drives120 GB SSD (2.5”)

Power Consumption40W

Dimensions (W x D x H)61: 1,064 x 363 x 134 mm / 41.89” x 14.29” x 5.28”; 73: 1,245 x 370 x 148 mm / 49.02” x 14.57” x 5.83”; 88: 1,457 x 370 x 148 mm / 57.36” x 14.57” x 5.83”

Weight61: 14.2 kg / 31.31 lbs.; 73: 20.4 kg / 44.97 lbs.; 88: 23.4 kg / 51.59 lbs.

AccessoriesAC cord

Frequency Response20Hz-22kHz, +/-1.0dB, 10k Ω load

THD+N20Hz-22kHz, 0.01%, 10k Ω load (typical)

S/N95dB (typical)

Dynamic Range95dB (typical)

Crosstalk95dB, at 1kHz (typical)